I’m thrilled and honoured to take part in this year’s Dutch Design Week! Although events have moved online I’ll be on-site in Eindhoven to take part in a livestream/talkshow – part of Design United’s Up Close and Personal programme (update: recording available here). I’ll be speaking on one of the programme’s five themes, Silent Power, and have also written a short column on the topic for the occasion.

Trust me, I’m a Designer

Imagine you have just left the bar on your way home after a lovely evening on the town. You may have had a bit too much to drink, but that doesn’t explain the scent you’re smelling, and it certainly doesn’t explain why you are feeling so calm. On your way home you feel a bit tired, so when you spot a bench you quickly sit down to rest. After a few minutes the bench starts to emit loud sounds while vibrating wildly under your body! What does it want? Increasingly tired, with ears ringing, you call a cab. The car arrives quickly, but as it moves through downtown you notice that it is taking an unfamiliar, somewhat roundabout road. Why isn’t the driver taking the shortest route? You finally arrive home and use the app to open your door. The door, however, refuses to open. Puzzled by its refusal to cooperate, you sit down on the steps in front of your house and wonder, is someone playing a cruel prank on you?

When it comes to smart urban technologies the future is already here. Kind of. Networked sensors can be found in more and more places, feeding city algorithms with the data they need to make decisions about the flow of people, vehicles, energy, waste, and more. But as urban technologies become more complex, omnipresent yet unobtrusive, people seem to have less capacity to make sense of them. Simply stated, we don’t trip over data the same way we may trip over a crack in the pavement, and so raising the alarm almost always happens after the technology has already been deployed. Obviously, one doesn’t have to understand how a technology works in order to use it. I can’t begin to tell you how my computer, the internet or the browser you are using to read this column work – certainly not in detail – but it doesn’t seem to affect my ability to write, and yours to read. But if we, the public, want to be able to influence the way technology is designed and how it is being used by governments and corporations, we need to recognise that the design of technology involves more than just finding the most efficient or cost-effective way to do things. 

Design is a human activity that reflects our values, beliefs, imaginaries and motivations. Unmasking how this meshwork of interests impacts the design and use of technology, and with what possible consequences, is the primary task of critical design. Without it, we risk losing our ability to stay ahead of technology, leaving the future to be shaped by others. How do I know this? Trust me, I’m a designer.

For the second year I had the pleasure of facilitating a design workshop as part of the Urban Futures Studio’s summer school, Futuring for Sustainability. This year the super-condensed-half-a-day-online workshop offered participants a taste of how designers speculate about the future from the designed artefact outwards.

In the first part of the workshop I helped participants perform what I call ‘value replacement therapy’: they selected an urban technology, and based on Schwartz’s overview of basic human values, tried to figure out what was the most dominant value associated with the technology. Participants then chose an alternative value (again, relying on Schwartz’s work) and redesigned the urban technology to reflect that alternative value. The last step in this part of the exercise was to imagine and animate the kind of future world within which the newly designed technology would be popular or could scale up.

In the second part of the workshop my co-conspirator, Lenneke Kuijer, guided participants in considering how the newly designed technology would be used in everyday life. Participants reported on the new technology as anthropologists, and wrote short newspaper articles from the future (a technique I have used successfully before).

The results were quite outstanding, given the very short time participants had to dive into the brief and come up with concrete designs. Groups redesigned a bicycle to function as an environmental sensing agent; created a public bench that recharges the energy of those rich enough to use it; reimagined urban vehicles as safe spaces in an ecologically declining city; suggested gardening as a form of electoral renewal; and redesigned garbage bins to reflect neighbourhood spirits and inspire better waste disposal practices. No less important, participants seemed to enjoy the creative freedom of the exercise despite the tight timeframe and the challenges of collaborating across continents and timezones.

For the first time, the recently published edition of the Delft Design Guide (edited by Annemiek van Boeijen, Jaap Daalhuizen and Jelle Zijlstra) includes an item on speculative design. The article, which I wrote, is part of the Perspectives section.

I’ve had the honour and pleasure of participating in the symposium that marked TU Delft’s 178th birthday. This year’s symposium was organized by the Delft Design for Values Institute, and included keynotes from Batya Friedman and Marco Steinberg (both received an honourary doctorate).

My short talk, one of three ‘pitches’ on the topic of value dynamics, argued that future-proofing (the idea that designers can fully hedge against future uncertainty) was both hubristic and uninspiring.

what if instead of framing design as anticipatory problem-solving, we considered it a form of imaginative wayfinding? What if instead of trying to tame the future, designers embraced its uncertainty?

The entire symposium can be viewed here. My talk starts at 1:22:20.

Together with Jan Misker of V2_Lab for the Unstable Media, I will be giving a talk in the Beyond Smart Cities Today symposium, organized by the Centre for BOLD Cities (a collaboration between Erasmus University, Leiden University, and TU Delft). The symposium is headlined by Rob Kitchin, with keynotes by a host of super interesting speakers (program here as PDF).

The talk is titled Alternative Imaginaries for the Smart City. Here’s the abstract:

The rise of the smart city as a dominant urban development paradigm has raised concerns about the public’s capacity to make sense of the technologies and policies involved. Accordingly, most efforts to engage the public with the smart city tend to focus on demystifying urban technologies – opening up the technological “black box” for public scrutiny. But what if we consider the smart city not only as a collection of intelligent technologies but as a social imaginary – a set of collectively held beliefs about the world and how we can act on it? What new opportunities for art- and design-led interventions emerge if instead of concentrating on the technologies we have, we focused on the city we want – on what urban scholar Saskia Sassen calls “cityness”?

In this presentation we will illustrate some of the possibilities, challenges and benefits of engaging with the smart city as a social imaginary, with an eye on translating the SHARED principles for public engagement into concrete activities. We will discuss several current and upcoming Dutch art and design-led interventions that aim to disclose, problematize and pluralize the social imaginaries that guide the development and deployment of urban technologies. We will do so while drawing a distinction between interventions that imagine alternative smart cities for, and those done by, the public.

The symposium takes place Sept.18-19, 2019, at the New Institute in Rotterdam.